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“To Realize in America What Has Become Impossible in Europe”: Excavating Erich Simon’s Life for Music (1907–1994)


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  • cris.virtual.department
    University of Music and Performing Arts Vienna
  • cris.virtual.orcid
    0000-0002-0297-025X
  • dc.contributor.author
    Reisinger, Elisabeth
  • dc.date.accessioned
    2024-09-16T13:05:26Z
  • dc.date.available
    2024-09-16T13:05:26Z
  • dc.date.issued
    2022-04
  • dc.description.abstract
    Erich Simon (1907–1994) was a Viennese-born performer, conductor, editor, concert manager, teacher, and composer. Being Jewish and socialist, he escaped from Austria in 1938 and emigrated to New York, where he rebuilt his career. He contributed to the musical cultures in Europe and the United States in many ways. His network contained prominent names from intellectual, cultural, and musical life on both sides of the Atlantic, such as Benny Goodman, Darius Milhaud, Fritz Stiedry, Erika Wagner, and Hans Weigel. However, as Simon himself was no famous composer, conductor, or virtuoso on which musicological research on exile and migration in the 1930s/1940s has focused in the past, he has been largely overlooked by historians and musicologists. This article presents, for the first time, major source findings related to Simon in the form of personal documents, letters, and musical manuscripts from archives in the United States. Each group of documents provides a different perspective on Simon’s life and career. Through a close reading of these sources, this article reconstructs his social background and life in Vienna, his involvement with left-wing intellectual circles, his family’s dramatic escape, his personal and professional network, which helped him settle in the United States, as well as his musical engagement with American history and culture. Bringing Simon’s story out of the margins contributes to broadening our understanding of the diversity of refugee and migration experiences in the 1930s/1940s and the various ways in which individuals confronted a new social, cultural, and political environment.
  • dc.description.provenance
    Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-09-16T13:05:26Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 1 jaustamerhist_6_1_44.pdf: 1408956 bytes, checksum: 3ce8b52cd233b2a2db6a4bbb3a68c2ae (MD5)
    Made available in DSpace on 2024-09-16T13:05:26Z (GMT). No. of bitstreams: 1 jaustamerhist_6_1_44.pdf: 1408956 bytes, checksum: 3ce8b52cd233b2a2db6a4bbb3a68c2ae (MD5) Previous issue date: 2022
  • dc.identifier.citation
    Elisabeth Reisinger; “To Realize in America What Has Become Impossible in Europe”: Excavating Erich Simon’s Life for Music (1907–1994). Journal of Austrian-American History 18 May 2022; 6 (1): 44–73. doi: https://doi.org/10.5325/jaustamerhist.6.1.0044
  • dc.identifier.doi
    10.5325/jaustamerhist.6.1.0044
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/14663
  • dc.language.iso
    en
  • dc.relation.journal
    Journal of Austrian-American History
  • dc.rights.license
    CC-BY-NC-ND-4.0
  • dc.subject
    music
    politics
    World War II
    exile and émigré research
  • dc.title
    “To Realize in America What Has Become Impossible in Europe”: Excavating Erich Simon’s Life for Music (1907–1994)
  • dc.type
    text::journal::journal article
  • dcat.theme
    EDUC
  • dspace.entity.type
    Publication
  • mdwlis.publication.firstRelease
    false
  • mdwlis.publication.mdwAttribution
    yes
  • mdwlis.subject.oefosDeKunstzweig
    MUSIK - Interpretation – instrumental
    GEISTESWISSENSCHAFTEN - Geschichte, Archäologie
  • mdwrepo.subject.percentage
    60
    40
  • oaire.citation.endPage
    73
  • oaire.citation.issue
    1
  • oaire.citation.startPage
    44
  • oaire.citation.volume
    6
  • oairecerif.author.affiliation
    University of Music and Performing Arts Vienna