Surface Electromyography Measures of Muscle Activity in the Abdomen, Thorax, and Neck in Professional Trumpet Players
Simple item page
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cris.virtual.department
University of Music and Performing Arts Vienna
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cris.virtual.orcid
0009-0001-2335-5926
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dc.contributor.author
Türk-Espitalier, AlexandraBurzler, Matthias Alexander
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dc.date.accessioned
2026-08-31T11:15:08Z
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dc.date.available
2026-08-31T11:15:08Z
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dc.date.issued
2026-06-01
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dc.description.abstract
Trumpet playing requires precise embouchure, breath control, and postural support, engaging facial and respiratory muscles as well as muscles within the abdomen, thorax, and neck. Research on muscle activity during trumpet playing focuses mainly on embouchure and its involved facial muscles, whereas studies investigating torso muscles are scarce. METHODS: In this observational study, the activity of the abdominal, thoracal, and neck muscles of 24 male professional trumpet players between 20–45 years of age were measured with surface electromyography (sEMG) during playing. Electrodes were positioned on the m. rectus abdominis, m. obliquus externus, m. obliquus internus, mm. intercostales, m. pectoralis major, m. trapezius pars descendens, and m. sternocleidomastoideus. All participants played the same musical tasks. Markers were set at three representative places of expected low (G4) and high (B5 and C#6) activity. RESULTS: In the deep abdominal and intercostal muscles, activity was remarkably high during high and loud notes (m. obliquus internus: 94.91% (34.05) mean (SD), m. obliquus externus: 89.12% (36.74), mm. intercostales 85.24% (45.82) of MVIC during ff B5), whereas the m. rectus abdominis worked only with a medium effort of 57.99% (34.19) of MVIC during that same task. Muscle activity was significantly higher during high and loud notes than in low notes (p < 0.001). When comparing isolated with concatenated notes, smaller peak values of abdominal muscle activity were recorded in concatenated notes played in musical context than in isolated tones. Neck muscles also presented significant differences in activity between high and low notes, but with generally only a medium high activity throughout all measures and regardless of the playing task. CONCLUSION: This study provides valuable insights into the muscular demands of the torso and neck muscles during trumpet playing and can be beneficial for performers and trumpet pedagogues.
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dc.description.provenance
Submitted by Christian Keitel (keitel@mdw.ac.at) on 2026-08-31T11:15:08Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 1 Surface Electromyography Measures of Muscle Activity.pdf: 1589327 bytes, checksum: b0e3a2f215662595164199eef568cbf7 (MD5)Made available in DSpace on 2026-08-31T11:15:08Z (GMT). No. of bitstreams: 1 Surface Electromyography Measures of Muscle Activity.pdf: 1589327 bytes, checksum: b0e3a2f215662595164199eef568cbf7 (MD5) Previous issue date: 2026-06-01
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dc.identifier.citation
Türk-Espitalier, A., & Burzler, M. A. (2026). Surface Electromyography Measures of Muscle Activity in the Abdomen, Thorax, and Neck in Professional Trumpet Players. Medical problems of performing artists, 41(2), 77–88. https://doi.org/10.21091/mppa.2026.02008
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dc.identifier.doi
https://doi.org/10.21091/mppa.2026.02008
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dc.identifier.uri
https://dspace.mdw.ac.at/handle/123456789/56052
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dc.language.iso
en
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dc.relation.journal
Medical Problems of Performing Artists
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dc.rights.license
CC-BY-4.0
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dc.subject
trumpet performancetrumpet pedagogysurface electromyographymuscle activityabdominal musclesthoracal musclesneck muscles
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dc.title
Surface Electromyography Measures of Muscle Activity in the Abdomen, Thorax, and Neck in Professional Trumpet Players
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dc.type
text::journal::journal article::research article
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dspace.entity.type
Publication
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dspace.workflow.startDateTime
2026-08-31T11:15:08.564Z
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mdwlis.publication.firstRelease
false
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mdwlis.publication.mdwAttribution
yes
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mdwlis.subject.oefosDeKunstzweig
HUMANMEDIZIN, GESUNDHEITSWISSENSCHAFTEN - Klinische Medizin
- mdwrepo.correspondingAuthor
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mdwrepo.subject.percentage
100
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oaire.citation.endPage
88
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oaire.citation.issue
2
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oaire.citation.startPage
77
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oaire.citation.volume
41
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oairecerif.author.affiliation
University of Music and Performing Arts ViennaUniversität Wien