Dancing Presence and Awareness: 'Khaita – Joyful Dances' as a Mindfulness Practice
Simple item page
- cris.virtual.author-orcid
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cris.virtual.department
University of Music and Performing Arts Vienna
- cris.virtual.orcid
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cris.virtualsource.author-orcid
3a5f511c-9ed6-485c-9b3d-d9218d4dd409
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dc.contributor.author
Leick, Eva
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dc.date.accessioned
2024-06-24T12:27:21Z
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dc.date.available
2024-06-24T12:27:21Z
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dc.date.issued
2024-03-15
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dc.description.abstract
In this article, I argue that the dance practice of ‘Khaita – Joyful Dances’ has been intentionally designed as a mindfulness practice with the aim of fostering presence and awareness by the Dzogchen master Namkhai Norbu. The three Khaita principles of awareness (Dems, Gyu and Drig) revolve around aspects of proprioception, smooth movements, musicality, spatial and group awareness and guide dancers to the here and now. They demand non-judgmental, purposeful and non-reactive attention, hence mindfulness, that results in more mature states of awareness and presence.
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dc.description.provenance
Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-06-24T12:27:21Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 0Made available in DSpace on 2024-06-24T12:27:21Z (GMT). No. of bitstreams: 0 Previous issue date: 2024-03-15
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dc.identifier.citation
Leick, Eva: Dancing Presence and Awareness: 'Khaita – Joyful Dances' as a Mindfulness Practice. In: Performance and Mindfulness 6 (2024). H. 1, S. 1–24 [online verfügbar: https://doi.org/10.5920/pam.1478]..
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dc.identifier.doi
10.5920/pam.1478
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dc.identifier.uri
https://dspace.mdw.ac.at/handle/123456789/12485
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dc.language.iso
en
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dc.relation.journal
Performance and Mindfulness
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dc.subject
danceKhaitamindfulnessawarenesspresenceTibetan danceDzogchen
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dc.title
Dancing Presence and Awareness: 'Khaita – Joyful Dances' as a Mindfulness Practice
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dc.type
text::journal::journal article
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dspace.entity.type
Publication
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dspace.file.type
main article
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mdwlis.subject.oefosDeKunstzweig
SOZIALWISSENSCHAFTEN - Medien- und Kommunikationswissenschaften
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mdwrepo.subject.percentage
30
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oaire.citation.endPage
24
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oaire.citation.issue
1
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oaire.citation.startPage
1
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oaire.citation.volume
6
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oairecerif.author.affiliation
University of Music and Performing Arts Vienna