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FAIR Interconnection and Enrichment of Public-Domain Music Resources on the Web


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  • cris.virtual.author-orcid
  • cris.virtual.department
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
  • cris.virtual.orcid
    0000-0003-1502-1528
    0000-0002-1722-0718
  • cris.virtualsource.author-orcid
    81d69385-a137-4a0c-8746-bc4cf13cf5e6
    fdf3161e-7231-4cbe-bae2-3a7f7e6490e3
  • dc.contributor.author
    Weigl, David
    Goebl, Werner
    Crawford, Tim
    Gkiokas, Aggelos
    Gómez, Emilia
    Gutierrez, Nicolas F.
    Liem, Cynthia C. S.
    Santos, Patricia
  • dc.date.accessioned
    2024-05-28T16:31:53Z
  • dc.date.available
    2024-05-28T16:31:53Z
  • dc.date.issued
    2021
  • dc.description.abstract
    Vast amounts of publicly licensed classical music resources are housed within many different repositories on the Web encompassing richly diverse facets of information—including bibliographical and biographical data, digitized images of music notation, music score encodings, audiovisual performance recordings, derived feature data, scholarly commentaries, and listener reactions. While these varied perspectives ought to contribute to greater holistic understanding of the music objects under consideration, in practice, such repositories are typically minimally connected. The TROMPA project aims to improve this situation by interconnecting and enriching public-domain music repositories. This is achieved, on the one hand, by the application of automated, cutting-edge Music Information Retrieval techniques, and on the other, by the development of contribution mechanisms enabling users to integrate their expertise. Information within established repositories is interrelated with data generated by the project within a data infrastructure whose design is guided by the FAIR principles of data management and stewardship: making music information Findable, Accessible, Interoperable, and Reusable. We provide an overview of challenges of description, identification, representation, contribution, and reliability toward applying the FAIR principles to music information, and outline TROMPA's implementational approach to overcoming these challenges. This approach applies a graph-based data infrastructure to interrelate information hosted in different repositories on the Web within a unifying data model (a 'knowledge graph'). Connections are generated across different representations of music content beyond the catalogue level, for instance connecting note elements within score encodings to corresponding moments in performance time-lines. Contributions of user data are supported via privacy-first mechanisms that retain control of such data with the contributing user. Provenance information is captured throughout, supporting reproducibility and re-use of the data both within and outside the context of the project.
  • dc.description.provenance
    Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-05-28T16:31:53Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 0
    Made available in DSpace on 2024-05-28T16:31:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2021
  • dc.identifier.doi
    10.18061/emr.v16i1.7643
  • dc.identifier.issn
    1559-5749
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/4761
  • dc.language.iso
    en
  • dc.rights.license
    CC-BY-NC-4.0
  • dc.subject
    FAIR data
    repository
    linked data
    musicology
    Music information
    data infrastructure
    digital musicology
  • dc.title
    FAIR Interconnection and Enrichment of Public-Domain Music Resources on the Web
  • dc.type
    text::journal::journal article
  • dcat.theme
    EDUC
  • dcterms.publisher
    The Ohio State University Libraries
  • dspace.entity.type
    Publication
  • mdwlis.institutionalBibliography.citation
    Weigl, David; Gkiokas, Aggelos; Santos, Patrizia; Gomez, Emilia; Gutierrez, Nicolas F; Liem, Cynthia; Crawford, Tim; Goebl, Werner: FAIR Interconnection and Enrichment of Public-Domain Music Resources on the Web. In: Empirical Musicology Review 16 (2021) H. 1, S. 16-33 [online verfügbar: https://doi.org/10.18061/emr.v16i1.7643].
  • mdwlis.institutionalBibliography.publicationType
    erstveröffentlichte Beiträge in SCI, SSCI und A&HCI-Fachzeitschriften - als internationale Ko-Publikationen
  • mdwlis.institutionalBibliography.subject
    Interpretation - instrumental
    Psychologie
    Physik, Astronomie
    Informatik
    Interpretation - instrumental
    Psychologie
    Physik, Astronomie
    Informatik
  • mdwlis.institutionalBibliography.subject3
    703
    501
    103
    102
    703
    501
    103
    102
  • mdwlis.institutionalBibliography.subject4
    7030
    5010
    1030
    1020
    7030
    5010
    1030
    1020
  • mdwlis.institutionalBibliography.subject5
    10046
    10035
    10002
    10001
    10046
    10035
    10002
    10001
  • mdwlis.institutionalBibliography.year
    2021
  • mdwlis.mdwonline.identifier
    79964
  • mdwlis.publication.firstRelease
    Ja
  • mdwlis.publication.focus
    wissenschaftlich
  • mdwlis.publication.internationalCoPublication
    gemeinsam mit Co-Autor_innen, die an ausländischen Institutionen beschäftigt sind, erstellte Publikation
  • mdwlis.publication.mdwAttribution
    Ja, mdw wird im Kontext der Publikation genannt
  • mdwlis.publication.status
    veröffentlicht
  • mdwrepo.ancestors
    LIS > Publikationen > Bibliographischer Nachweis
    LIS > Publikationen > Publications
  • mdwrepo.hasTopCommunity
    LIS
  • oairecerif.author.affiliation
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
    Goldsmiths University of London
    Pompeu Fabra University
    Pompeu Fabra University
    Pompeu Fabra University
    Delft University of Technology
    Pompeu Fabra University