Antonio de Cabezón at the Centre of the World
Repertoire, Interpretation and Meaning
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dc.contributor.author
Cea Galán, Andrés
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dc.date.accessioned
2024-10-24T13:25:21Z
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dc.date.available
2024-10-24T13:25:21Z
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dc.date.issued
2024
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dc.description.abstract
Antonio de Cabezón (1510–1566), as a musician in the service of the Spanish royal court, held a really prominent position that allowed him to come into contact with musicans and players of very diverse origins, not only in Spain but also in Italy, Austria, Germany, the Netherlands and England. In this paper, an overview of his work is presented in the context of European music of his time, together with comments on aspects of the interpretation and meaning of this repertory in the light of historical sources.
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dc.description.provenance
Submitted by Max Bergmann (bergmann-max@mdw.ac.at) on 2024-10-24T13:25:21Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 1 10_Galan_Cabezon_Harpsichord_Sixteenth_Century_mdwPress.pdf: 1799155 bytes, checksum: f29ff15166c7cf6f8c1b8d423dd5c43b (MD5)Made available in DSpace on 2024-10-24T13:25:21Z (GMT). No. of bitstreams: 1 10_Galan_Cabezon_Harpsichord_Sixteenth_Century_mdwPress.pdf: 1799155 bytes, checksum: f29ff15166c7cf6f8c1b8d423dd5c43b (MD5) Previous issue date: 2024
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dc.identifier.doi
10.21939/HARPSICHORD-16C-10
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dc.identifier.uri
https://dspace.mdw.ac.at/handle/123456789/14828
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dc.language.iso
en
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dc.relation.publication
‘Universum rei harmonicae concentum absolvunt’: The Harpsichord in the Sixteenth Century
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dc.rights.license
CC-BY-4.0
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dc.title
Antonio de Cabezón at the Centre of the World
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dc.title.subtitle
Repertoire, Interpretation and Meaning
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dc.type
text::book::book part
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dcterms.publisher
mdwPress
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dspace.entity.type
Publication
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mdwrepo.publisher.location
2024
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oaire.citation.endPage
233
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oaire.citation.startPage
198
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