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Confronting Realities - First Steps. Working on Cinematic Autosociobiographies.


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  • cris.virtual.author-orcid
  • cris.virtual.department
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
  • cris.virtual.orcid
    0000-0002-2061-3475
    0000-0001-8709-5740
    0000-0002-2211-8566
    0000-0002-4333-3599
    0000-0003-2272-0108
  • cris.virtualsource.author-orcid
    e60b200b-d003-4d12-888d-9ce2a0ba74ba
    8600bbef-528a-46f7-a239-430480efdb90
  • dc.contributor.author
    Wolfram, Barbara
    Wintersteiger-Wilplinger, Christina
    Meilicke, Elena
    Kusturica, Nina
    Walkensteiner-Preschl, Claudia
  • dc.date.accessioned
    2024-05-28T16:38:56Z
  • dc.date.available
    2024-05-28T16:38:56Z
  • dc.date.issued
    2020-11-13
  • dc.description.abstract
    This paper provides a case study of the artistic research project Confronting Realities – First Steps. Working on Cinematic Autosociobiographies conducted at the Film Academy Vienna/ mdw – University of Music and Performing Arts Vienna, Austria as well as a reflection on the relationship between its research approaches, theory and criticism. Drawing from literary autosociobiographies of Ernaux (Les Années, 2008) and Éribon (Retour à Reims, 2009), the aim was to explore, describe and produce cinematic autosociobiographies - autobiographies in regard to and contextualized within the frame of social class and larger historical developments. Over the course of 10 months a multi-level project was designed and conducted to explore the format of cinematic autosociobiographies within the course “Research Project II” of MA and BA Students for Directing, Script Writing as well as Film and Media Studies. A group of 8 external performers from various backgrounds joined the project. The project was designed on four levels: Level (1) of Autosociobiographical Exploration that created three exploration groups with varying composition – 14 artist researchers/ film and acting students from Europe, refugee artists from Iran and Syria - to explore, make accessible and contextualize one’s sociobiography. Level (2) of Cinematic Forms and Techniques intended to develop narratives, cinematic techniques and formats of cinematic autosociobiographies - 2 short films were produced in that context that show the diversity of cinematic form and content on the levels of visuals, framing, audio, editing as well as in the narrative and the narrative development. Level (3) of Interdisciplinary and Theoretical Contextualization intended to build a strong interconnection between artistic, theoretical and interdisciplinary research about social class, cinematic forms and collaborative strategies of film production. Level (4) of Reflection and Evaluation intended to create a reflective framework, especially focusing on the collaborative aspect of filmmaking, ethical aspects of working with autosociobiographies and of researching/ creating in an intimate way in an academic environment. Cinematic autosociobiographies have shown to provide unique artistic research approaches and tools to convey collective movements, to find relations between different realities as well as creating ways of making them accessible. Further research is still needed and planned.
  • dc.description.issue
    GEECT Special Issue: Mapping Artistic Research in Film
  • dc.description.provenance
    Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-05-28T16:38:56Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 0
    Made available in DSpace on 2024-05-28T16:38:56Z (GMT). No. of bitstreams: 0 Previous issue date: 2020
  • dc.identifier.doi
    10.24140/ijfma.v5.n2.06
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/6566
    http://hdl.handle.net/10437/11582
    https://doaj.org/article/18c8265cdc0a41d7a8897d95a0e402ea
  • dc.language.iso
    en
  • dc.relation.issn
    2183-9271
  • dc.title
    Confronting Realities - First Steps. Working on Cinematic Autosociobiographies.
  • dc.type
    text::journal::journal article
  • dspace.entity.type
    Publication
  • mdwlis.institutionalBibliography.citation
    Wolfram, Barbara; Wintersteiger, Christina; Meilicke, Elena; Kusturica, Nina, Walkensteiner-Preschl, Claudia: Confronting Realities - First Steps. Working on Cinematic Autosociobiographies. In: International Journal of Film and Media Arts 5 (2020). H. 2, S. 100-123
  • mdwlis.institutionalBibliography.publicationType
    Erstauflagen von wissenschaftlichen Fach- oder Lehrbüchern
  • mdwlis.institutionalBibliography.subject
    Film und Fernsehen
    Film und Fernsehen
  • mdwlis.institutionalBibliography.subject3
    903
    903
  • mdwlis.institutionalBibliography.subject4
    9030
    9030
  • mdwlis.institutionalBibliography.subject5
    10064
    10064
  • mdwlis.institutionalBibliography.year
    2020
  • mdwlis.mdwonline.identifier
    80554
  • mdwlis.publication.mdwAttribution
    Ja, mdw wird im Kontext der Publikation genannt
  • mdwlis.publication.status
    veröffentlicht
  • mdwrepo.ancestors
    LIS > Publikationen > Bibliographischer Nachweis
    LIS > Publikationen > Publications
  • mdwrepo.hasTopCommunity
    LIS
  • oairecerif.author.affiliation
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna