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Echoes of the 2011 Syrian Uprising in Europe

Music, Protest, and Acts of Citizenship


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  • cris.virtual.department
    University of Music and Performing Arts Vienna
  • cris.virtual.journalance
  • cris.virtual.orcid
    0000-0002-5901-8518
  • cris.virtualsource.journalance
    60781dab-1457-4af9-be16-b15448110e14
  • dc.contributor.author
    Christidis, Ioannis
  • dc.date.accessioned
    2026-06-11T06:46:07Z
  • dc.date.available
    2026-06-11T06:46:07Z
  • dc.date.issued
    2026-05-27
  • dc.description.abstract
    This article investigates how Syrian political and protest songs contribute to enactments of insurgent, precarious, and transnational citizenship across the trajectories of the 2011 Syrian uprising, forced displacement, and resettlement in Europe. Drawing on multi-sited ethnographic research, combining online documentation of performances from the protests in Homs with hybrid fieldwork in refugee camps in Thessaloniki, Greece, and among Syrian diasporic communities in Vienna, Austria, it traces the heterochronic political life of three songs: “Jannah, Jannah, Jannah,” “Bi-ḥuzn wa-al-rīḥ taṣfar min warā al-bībān,” and “Ṣabāḥkun Ḥurriyyah – Roja û Azadî be.” Although each song emerges from a distinct political moment, their trajectories illuminate interconnected ways in which protest music mediates political agency across contexts of brutal repression, restrictive border regimes, and diasporic reconfiguration. By examining the discursive, sensorial, affective, and performative registers of these songs, and the multi-layered continuities that link them, this article shows how individuals who identify as Syrians sustain political agency and generate alternative imaginaries of political belonging and citizenship in response to the multiple forms of political exclusion they encounter. Finally, it calls for a politically attuned and ethically committed practice of listening, a politicizing mode of response that not only recognizes musical expressions by marginalized and disenfranchised individuals and groups as sites of political agency, but also positions ethnomusicologists as responsive agents rather than detached observers.
  • dc.description.provenance
    Submitted by Christian Keitel (keitel@mdw.ac.at) on 2026-06-11T06:46:07Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 1 mm.2026.46 .pdf: 10265323 bytes, checksum: 6c8cc4d3da6fd09d6673edfc67c37d1f (MD5)
    Made available in DSpace on 2026-06-11T06:46:07Z (GMT). No. of bitstreams: 1 mm.2026.46 .pdf: 10265323 bytes, checksum: 6c8cc4d3da6fd09d6673edfc67c37d1f (MD5) Previous issue date: 2026-05-27
  • dc.identifier.doi
    https://doi.org/10.52413/mm.2026.46
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/27510
  • dc.language.iso
    en
  • dc.relation.issn
    2791-4569
  • dc.relation.journal
    Music & Minorities (M&M)
  • dc.rights.license
    CC-BY-NC-4.0
  • dc.subject
    Migration
    music and refugees
    protest song
    Syrian revolution
    musical acts of citizenship
  • dc.title
    Echoes of the 2011 Syrian Uprising in Europe
  • dc.title.subtitle
    Music, Protest, and Acts of Citizenship
  • dc.type
    text::journal::journal article::research article
  • dcterms.publisher
    mdwPress
  • dcterms.rightsHolder
    Christidis, Ioannis
  • dspace.entity.type
    Publication
  • dspace.workflow.startDateTime
    2026-06-11T06:46:07.212Z
  • mdwlis.publication.firstRelease
    false
  • mdwlis.publication.mdwAttribution
    yes
  • mdwrepo.correspondingAuthor
  • mdwrepo.publisher.location
    Vienna
  • oaire.citation.issue
    Special Collection "Music, Migration, and Belonging in 21st-Century Europe"
  • oaire.citation.volume
    5
  • oairecerif.author.affiliation
    University of Music and Performing Arts Vienna