Echoes of the 2011 Syrian Uprising in Europe
Music, Protest, and Acts of Citizenship
Simple item page
-
cris.virtual.department
University of Music and Performing Arts Vienna
- cris.virtual.journalance
-
cris.virtual.orcid
0000-0002-5901-8518
-
cris.virtualsource.journalance
60781dab-1457-4af9-be16-b15448110e14
-
dc.contributor.author
Christidis, Ioannis
-
dc.date.accessioned
2026-06-11T06:46:07Z
-
dc.date.available
2026-06-11T06:46:07Z
-
dc.date.issued
2026-05-27
-
dc.description.abstract
This article investigates how Syrian political and protest songs contribute to enactments of insurgent, precarious, and transnational citizenship across the trajectories of the 2011 Syrian uprising, forced displacement, and resettlement in Europe. Drawing on multi-sited ethnographic research, combining online documentation of performances from the protests in Homs with hybrid fieldwork in refugee camps in Thessaloniki, Greece, and among Syrian diasporic communities in Vienna, Austria, it traces the heterochronic political life of three songs: “Jannah, Jannah, Jannah,” “Bi-ḥuzn wa-al-rīḥ taṣfar min warā al-bībān,” and “Ṣabāḥkun Ḥurriyyah – Roja û Azadî be.” Although each song emerges from a distinct political moment, their trajectories illuminate interconnected ways in which protest music mediates political agency across contexts of brutal repression, restrictive border regimes, and diasporic reconfiguration. By examining the discursive, sensorial, affective, and performative registers of these songs, and the multi-layered continuities that link them, this article shows how individuals who identify as Syrians sustain political agency and generate alternative imaginaries of political belonging and citizenship in response to the multiple forms of political exclusion they encounter. Finally, it calls for a politically attuned and ethically committed practice of listening, a politicizing mode of response that not only recognizes musical expressions by marginalized and disenfranchised individuals and groups as sites of political agency, but also positions ethnomusicologists as responsive agents rather than detached observers.
-
dc.description.provenance
Submitted by Christian Keitel (keitel@mdw.ac.at) on 2026-06-11T06:46:07Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 1 mm.2026.46 .pdf: 10265323 bytes, checksum: 6c8cc4d3da6fd09d6673edfc67c37d1f (MD5)Made available in DSpace on 2026-06-11T06:46:07Z (GMT). No. of bitstreams: 1 mm.2026.46 .pdf: 10265323 bytes, checksum: 6c8cc4d3da6fd09d6673edfc67c37d1f (MD5) Previous issue date: 2026-05-27
-
dc.identifier.doi
https://doi.org/10.52413/mm.2026.46
-
dc.identifier.uri
https://dspace.mdw.ac.at/handle/123456789/27510
-
dc.language.iso
en
-
dc.relation.issn
2791-4569
-
dc.relation.journal
Music & Minorities (M&M)
-
dc.rights.license
CC-BY-NC-4.0
-
dc.subject
Migrationmusic and refugeesprotest songSyrian revolutionmusical acts of citizenship
-
dc.title
Echoes of the 2011 Syrian Uprising in Europe
-
dc.title.subtitle
Music, Protest, and Acts of Citizenship
-
dc.type
text::journal::journal article::research article
-
dcterms.publisher
mdwPress
-
dcterms.rightsHolder
Christidis, Ioannis
-
dspace.entity.type
Publication
-
dspace.workflow.startDateTime
2026-06-11T06:46:07.212Z
-
mdwlis.publication.firstRelease
false
-
mdwlis.publication.mdwAttribution
yes
- mdwrepo.correspondingAuthor
-
mdwrepo.publisher.location
Vienna
-
oaire.citation.issue
Special Collection "Music, Migration, and Belonging in 21st-Century Europe"
-
oaire.citation.volume
5
-
oairecerif.author.affiliation
University of Music and Performing Arts Vienna