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When they listen and when they watch

Pianists’ use of nonverbal audio and visual cues during duet performance.

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  • cris.virtual.author-orcid
  • cris.virtual.department
    University of Music and Performing Arts Vienna
    University of Music and Performing Arts Vienna
  • cris.virtual.orcid
    0000-0002-1722-0718
    0000-0002-0656-3969
  • cris.virtualsource.author-orcid
    fdf3161e-7231-4cbe-bae2-3a7f7e6490e3
    4a877778-d84b-4b70-be82-bee842076a6c
  • dc.contributor.author
    Goebl, Werner
    Bishop, Laura
  • dc.date.accessioned
    2024-05-28T16:34:11Z
  • dc.date.available
    2024-05-28T16:34:11Z
  • dc.date.issued
    2015
  • dc.description.abstract
    Nonverbal auditory and visual communication helps ensemble musicians predict each other’s intentions and coordinate their actions. When structural characteristics of the music make predicting co-performers’ intentions diïŹƒcult (e.g., following long pauses or during ritardandi), reliance on incoming auditory and visual signals may change. This study tested whether attention to visual cues during piano–piano and piano–violin duet performance increases in such situations. Pianists performed the secondo part to three duets, synchronizing with recordings of violinists or pianists playing the primo parts. Secondos’ access to incoming audio and visual signals and to their own auditory feedback was manipulated. Synchronization was most successful when primo audio was available, deteriorating when primo audio was removed and only cues from primo visual signals were available. Visual cues were used eïŹ€ectively following long pauses in the music, however, even in the absence of primo audio. Synchronization was unaïŹ€ected by the removal of secondos’ own auditory feedback. DiïŹ€erences were observed in how successfully piano–piano and piano–violin duos synchronized, but these eïŹ€ects of instrument pairing were not consistent across pieces. Pianists’ success at synchronizing with violinists and other pianists is likely moderated by piece characteristics and individual diïŹ€erences in the clarity of cueing gestures used.
  • dc.description.provenance
    Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-05-28T16:34:11Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 0
    Made available in DSpace on 2024-05-28T16:34:11Z (GMT). No. of bitstreams: 0 Previous issue date: 2015
  • dc.identifier.doi
    10.1177/1029864915570355
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/5337
  • dc.language.iso
    en
  • dc.relation.funding
    Synchronisation und Kommunikation in musikalischen Ensembles
  • dc.relation.grantno
    10.55776/P24546
  • dc.relation.journal
    Musicae scientiae / ESCOM, European Society for the Cognitive Sciences of Music
  • dc.relation.project
    Synchronisation und Kommunikation in musikalischen Ensembles
  • dc.rights.license
    CC-BY-NC-4.0
  • dc.subject
    piano
    performance
    nonverbal communication
    duet
    action prediction
    ensemble performance
    interpersonal coordination
    musical expertise
    sensorimotor synchronization
    musical communication
    musical gesture
  • dc.title
    When they listen and when they watch
  • dc.title.subtitle
    Pianists’ use of nonverbal audio and visual cues during duet performance.
  • dc.type
    text::journal::journal article
  • dcat.theme
    EDUC
  • dspace.entity.type
    Publication
  • dspace.file.type
    main article
  • mdwlis.institutionalBibliography.citation
    Goebl, Werner; Bishop, Laura: When they listen and when they watch: Pianists’ use of nonverbal audio and visual cues during duet performance. In: Musicae Scientiae 19 (2015). H. 4, steht noch nicht fest, S. 366-388 [online verfĂŒgbar: http://msx.sagepub.com/content/19/4/366.full.pdf+html].
  • mdwlis.institutionalBibliography.publicationType
    erstveröffentlichte BeitrÀge in SCI, SSCI und A&HCI-Fachzeitschriften
  • mdwlis.institutionalBibliography.subject
    Psychologie
    Informatik
    Interpretation - instrumental
    Kunstwissenschaften
  • mdwlis.institutionalBibliography.subject3
    501
    102
    703
    604
  • mdwlis.institutionalBibliography.subject4
    5010
    1020
    7030
    6040
  • mdwlis.institutionalBibliography.subject5
    10035
    10001
    10046
    10042
  • mdwlis.institutionalBibliography.year
    2015
  • mdwlis.mdwonline.identifier
    43747
  • mdwlis.publication.firstRelease
    Ja
  • mdwlis.publication.focus
    wissenschaftlich
  • mdwlis.publication.mdwAttribution
    Ja, mdw wird im Kontext der Publikation genannt
  • mdwlis.publication.status
    veröffentlicht
  • mdwrepo.ancestors
    LIS > Publikationen > Bibliographischer Nachweis
    LIS > Publikationen > Publications
  • mdwrepo.hasTopCommunity
    LIS
  • oaire.citation.endPage
    110
  • oaire.citation.issue
    1
  • oaire.citation.startPage
    84
  • oaire.citation.volume
    19
  • oairecerif.author.affiliation
    University of Music and Performing Arts Vienna
    Austrian Research Institute for Artificial Intelligence (OFAI)