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'The Shadow of One’s Own Head' or The Spectacle of Creativity


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  • citeproc.author
    Granzer, Susanne Valerie
  • citeproc.author.family
    Granzer
  • citeproc.author.given
    Susanne Valerie
  • citeproc.type
    article-journal
  • cris.virtual.author-orcid
  • cris.virtual.department
    University of Music and Performing Arts Vienna
  • cris.virtual.orcid
  • cris.virtualsource.author-orcid
    caf1355b-7ea9-432f-95af-a1fe595396ec
  • dc.contributor.author
    Granzer, Susanne
  • dc.date.accessioned
    2024-07-01T16:11:06Z
  • dc.date.available
    2024-07-01T16:11:06Z
  • dc.date.issued
    2017-12-21
  • dc.description.abstract
    When acting, the actor/actress experiences a complex regime of signs in his/her body, mind, mood and gender. These signs are both disturbing and promising. On the one hand, the act of creativity makes a wound obvious which has been incarnated within man. It tells him/her that he/she is not the sole actor of his/her actions. On the other hand, precisely this way acting on stage becomes an event. The act of this event reveals a way of be-coming in which one acts while at the same time being passive, in which the actor/actress is both agent and patient of his/her own performance. This complex artistic experience catapults actors/actresses into an open passage, into an in-between where they are liberated from the illusion of being the sole actors of their performances. One might even say that by this turn an actor/actress experiences a change, an “anthropological mutation” (Agamben). Or, to have it differently: the artist suffers a kind of “death of the subject”. It is remarkable that this loss of the predominance of subjectivity is a crucial aspect of acting which may affect the audience in a particularly intensive way. Why? Perhaps because it updates an extremely intimate connection between audience and actors/actresses which vicariously reflects the in-between of life and death. A passage by which life presents itself as itself? Life – by its plane of immanence?
  • dc.description.provenance
    Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-07-01T16:11:06Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 0
    Made available in DSpace on 2024-07-01T16:11:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2017
  • dc.identifier.citation
    Granzer, Susanne: 'The Shadow of One’s Own Head' or The Spectacle of Creativity. In: Performance Philosophy 3 (2017). H. 3, [online verfügbar: https://doi.org/10.21476/PP.2017.33151]..
  • dc.identifier.doi
    10.21476/PP.2017.33151
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/12580
    https://www.performancephilosophy.org/journal/article/view/151
    https://www.performancephilosophy.org/journal/article/download/151/212
  • dc.language.iso
    en
  • dc.relation.journal
    Performance Philosophy
  • dc.rights.license
    CC-BY-NC-SA-4.0
  • dc.subject
    immanence
    Agamben
    creativity
    philosophy
    performance studies
    theatre studies
    performativity and theatricality
    Actors
    Performing Arts
    Acting
    Process of Creativity
    Arts-based-Philosophy
    Artistic Research
    Philosophy on Stage
  • dc.title
    'The Shadow of One’s Own Head' or The Spectacle of Creativity
  • dc.type
    text::journal::journal article
  • dcat.theme
    EDUC
  • dspace.entity.type
    Publication
  • dspace.file.type
    main article
  • oaire.citation.issue
    3
  • oaire.citation.volume
    3
  • oairecerif.author.affiliation
    University of Music and Performing Arts Vienna