'The Shadow of One’s Own Head' or The Spectacle of Creativity
Simple item page
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citeproc.author
Granzer, Susanne Valerie
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citeproc.author.family
Granzer
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citeproc.author.given
Susanne Valerie
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citeproc.type
article-journal
- cris.virtual.author-orcid
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cris.virtual.department
University of Music and Performing Arts Vienna
- cris.virtual.orcid
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cris.virtualsource.author-orcid
caf1355b-7ea9-432f-95af-a1fe595396ec
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dc.contributor.author
Granzer, Susanne
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dc.date.accessioned
2024-07-01T16:11:06Z
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dc.date.available
2024-07-01T16:11:06Z
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dc.date.issued
2017-12-21
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dc.description.abstract
When acting, the actor/actress experiences a complex regime of signs in his/her body, mind, mood and gender. These signs are both disturbing and promising. On the one hand, the act of creativity makes a wound obvious which has been incarnated within man. It tells him/her that he/she is not the sole actor of his/her actions. On the other hand, precisely this way acting on stage becomes an event. The act of this event reveals a way of be-coming in which one acts while at the same time being passive, in which the actor/actress is both agent and patient of his/her own performance. This complex artistic experience catapults actors/actresses into an open passage, into an in-between where they are liberated from the illusion of being the sole actors of their performances. One might even say that by this turn an actor/actress experiences a change, an “anthropological mutation” (Agamben). Or, to have it differently: the artist suffers a kind of “death of the subject”. It is remarkable that this loss of the predominance of subjectivity is a crucial aspect of acting which may affect the audience in a particularly intensive way. Why? Perhaps because it updates an extremely intimate connection between audience and actors/actresses which vicariously reflects the in-between of life and death. A passage by which life presents itself as itself? Life – by its plane of immanence?
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dc.description.provenance
Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-07-01T16:11:06Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 0Made available in DSpace on 2024-07-01T16:11:06Z (GMT). No. of bitstreams: 0 Previous issue date: 2017
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dc.identifier.citation
Granzer, Susanne: 'The Shadow of One’s Own Head' or The Spectacle of Creativity. In: Performance Philosophy 3 (2017). H. 3, [online verfügbar: https://doi.org/10.21476/PP.2017.33151]..
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dc.identifier.doi
10.21476/PP.2017.33151
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dc.identifier.uri
https://dspace.mdw.ac.at/handle/123456789/12580https://www.performancephilosophy.org/journal/article/view/151https://www.performancephilosophy.org/journal/article/download/151/212
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dc.language.iso
en
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dc.relation.journal
Performance Philosophy
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dc.rights.license
CC-BY-NC-SA-4.0
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dc.subject
immanenceAgambencreativityphilosophyperformance studiestheatre studiesperformativity and theatricalityActorsPerforming ArtsActingProcess of CreativityArts-based-PhilosophyArtistic ResearchPhilosophy on Stage
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dc.title
'The Shadow of One’s Own Head' or The Spectacle of Creativity
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dc.type
text::journal::journal article
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dcat.theme
EDUC
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dspace.entity.type
Publication
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dspace.file.type
main article
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oaire.citation.issue
3
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oaire.citation.volume
3
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oairecerif.author.affiliation
University of Music and Performing Arts Vienna