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'Nach seinem selbst gefallen mit der Mensur wexln'

Instances in Sixteenth-Century Keyboard Music Where Ornamentation and Changing Note Values Might Induce the Player to Vary the Beat

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  • dc.contributor.author
    Marinčič, Domen
  • dc.date.accessioned
    2024-10-24T12:51:34Z
  • dc.date.available
    2024-10-24T12:51:34Z
  • dc.date.issued
    2024
  • dc.description.abstract
    Nicola Vicentino’s description of singers varying the beat in order to clarify the affect of the words and the harmony may seem to be relevant to certain keyboard music, all the more since sources point out that solo performers enjoy greater freedom than do ensembles. Tempo changes sometimes seem to be implied by striking differences between predominant note values in sections of a piece. One might expect shorter note values to be generally associated with a slower tactus, and longer note values with a quicker one, but some composers demand the opposite, so that the contrasts in the music are amplified rather than understated. Ornamented keyboard intabulations can occasionally be seen to imply textually and musically motivated tempo changes via noticeable variation in the density of ornamentation.
  • dc.description.provenance
    Submitted by Max Bergmann (bergmann-max@mdw.ac.at) on 2024-10-24T12:51:34Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 1 6_Marincic_Mensur-wexln_Harpsichord_Sixteenth_Century_mdwPress.pdf: 2952796 bytes, checksum: cc9399fdcf40dc4fc69b6d34e555ec52 (MD5)
    Made available in DSpace on 2024-10-24T12:51:34Z (GMT). No. of bitstreams: 1 6_Marincic_Mensur-wexln_Harpsichord_Sixteenth_Century_mdwPress.pdf: 2952796 bytes, checksum: cc9399fdcf40dc4fc69b6d34e555ec52 (MD5) Previous issue date: 2024
  • dc.identifier.doi
    10.21939/HARPSICHORD-16C-06
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/14824
  • dc.language.iso
    en
  • dc.relation.publication
    ‘Universum rei harmonicae concentum absolvunt’: The Harpsichord in the Sixteenth Century
  • dc.rights.license
    CC-BY-4.0
  • dc.title
    'Nach seinem selbst gefallen mit der Mensur wexln'
  • dc.title.subtitle
    Instances in Sixteenth-Century Keyboard Music Where Ornamentation and Changing Note Values Might Induce the Player to Vary the Beat
  • dc.type
    text::book::book part
  • dcterms.publisher
    mdwPress
  • dspace.entity.type
    Publication
  • mdwrepo.publisher.location
    Wien
  • oaire.citation.endPage
    111
  • oaire.citation.startPage
    79
  • oairecerif.author.affiliation
    Hochschule für Musik und Theater Hamburg