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Diverging Ontologies in Music for Dancing. European Voices V.

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  • citeproc.issued
    2023
  • citeproc.publisher
    Böhlau
  • citeproc.publisher-place
    Wien
  • citeproc.type
    book
  • citeproc.volume
    Music Traditions 3
  • cris.virtual.department
    University of Music and Performing Arts Vienna
  • cris.virtual.editor-orcid
  • cris.virtual.orcid
    0000-0002-4436-6229
  • cris.virtualsource.editor-orcid
    50a5d422-f86f-4185-9faf-ae755388e281
  • dc.contributor.editor
    Ahmedaja, Ardian
  • dc.date.accessioned
    2024-05-28T16:40:53Z
  • dc.date.available
    2024-05-28T16:40:53Z
  • dc.date.issued
    2023
  • dc.description.abstract
    The participation of skilful - in addition to soundful - bodies in action is essential to the interaction of individuals in creating music for dancing. Since cultures, being products of human individuation, exist only in performance (Blacking), the recent awareness in anthropology of varying worlds and worldviews (Heywood) reveals particularities of diverging ontologies as an effective object of research. Exploring music for dancing in this context provides significant insights of inter-individual relations and social context, which do not simply arise from the behaviour of individual agents, but themselves enable and shape the individual agents on which they depend (De Jaegher and Froese). Diverging ontologies in music for dancing may therefore be perceived as an indispensable constituent component of the music∼dancing coupling.
  • dc.description.provenance
    Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-05-28T16:40:53Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 0
    Made available in DSpace on 2024-05-28T16:40:53Z (GMT). No. of bitstreams: 0 Previous issue date: 2023
  • dc.identifier.doi
    10.7767/9783205217657
  • dc.identifier.isbn
    9783205217657
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/7066
  • dc.relation.journal
    Musik Traditionen / Music Traditions
  • dc.rights.license
    Creative Commons, CC BY-NC-ND
  • dc.rights.uri
    https://creativecommons.org/licenses/by-nc/4.0/
  • dc.title
    Diverging Ontologies in Music for Dancing. European Voices V.
  • dc.type
    text::book
  • dspace.entity.type
    Publication
  • mdwlis.institutionalBibliography.citation
    Ahmedaja, Ardian (Hg.): Diverging Ontologies in Music for Dancing. European Voices V. (Music Traditions 3). Wien: Böhlau 2023.
  • mdwlis.institutionalBibliography.publicationType
    Erstauflagen von wissenschaftlichen Fach- oder Lehrbüchern
  • mdwlis.institutionalBibliography.subject
    Kunstwissenschaften
  • mdwlis.institutionalBibliography.subject3
    604
  • mdwlis.institutionalBibliography.subject4
    6040
  • mdwlis.institutionalBibliography.subject5
    10042
  • mdwlis.institutionalBibliography.year
    2023
  • mdwlis.mdwonline.identifier
    95375
  • mdwrepo.ancestors
    UB > pub.mdw
    LIS > Publikationen > Bibliographischer Nachweis
    LIS > Publikationen > Publications
  • mdwrepo.hasTopCommunity
    UB
    LIS
  • oaire.citation.volume
    3
  • oairecerif.editor.affiliation
    University of Music and Performing Arts Vienna