Elektra from the lower depths?
Rethinking the collaboration between Gertrud Eysoldt and Hugo von Hofmannsthal
Simple item page
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cris.virtual.department
University of Music and Performing Arts Vienna
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cris.virtual.orcid
0000-0002-2304-8256
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dc.contributor.author
Jakubova, Natalija
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dc.date.accessioned
2024-09-09T10:54:48Z
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dc.date.available
2024-09-09T10:54:48Z
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dc.date.issued
2021
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dc.description.abstract
The role of women artists in the theatre reform of the early 20th century is usually underestimated. This paper strives to reassess the agency of a female performer (Gertrud Eysoldt) in this process, concentrating on the premiere production of Elektra by Hugo von Hofmannsthal (1903, Kleines Theater). Hofmannsthal wrote his version of Elektra not only for Max Reinhardt’s company (which he considered to be a new kind of theatre) but also specifically for Eysoldt, and this article focuses on the communication between them. The main sources for this research are texts written by the actress: her article for a newspaper and her letters to Hofmannsthal (published in 1996) and Hermann Bahr (unpublished, Austrian Theatre Museum). These texts are analysed more from the perspective of their poetics than from the perspective of the facts they convey. Eysoldt’s autobiographical writings reveal an unexpected facet of the 'dionysism' that may have attracted Hofmannsthal. Finally, a question is raised about the meaning of the shift that Hofmannsthal made by offering the performer a re-writing of a foundational myth of patriarchal culture.
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dc.description.provenance
Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-09-09T10:54:48Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 1 b0386fb88068ca357f6248d125167a221a826cf756b4a26b919e43047965146f.pdf: 519700 bytes, checksum: 2cf245c72bd0c9382e157c6974150aa3 (MD5)Made available in DSpace on 2024-09-09T10:54:48Z (GMT). No. of bitstreams: 1 b0386fb88068ca357f6248d125167a221a826cf756b4a26b919e43047965146f.pdf: 519700 bytes, checksum: 2cf245c72bd0c9382e157c6974150aa3 (MD5) Previous issue date: 2021
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dc.identifier.doi
10.21939/elektra-preprint
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dc.identifier.uri
https://dspace.mdw.ac.at/handle/123456789/14574
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dc.language.iso
en
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dc.relation.funding
Hugo von Hofmannsthal and the Female Performers of His Work
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dc.relation.grantno
10.55776/M2330
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dc.relation.project
Hugo von Hofmannsthal und Darstellerinnen seines Werks
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dc.subject
performancegender biasGertrud EysoldtHugo von Hofmannsthal
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dc.title
Elektra from the lower depths?
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dc.title.subtitle
Rethinking the collaboration between Gertrud Eysoldt and Hugo von Hofmannsthal
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dc.type
text::preprint
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dcat.theme
EDUC
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dcterms.publisher
repo.mdw.ac.at
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dcterms.rights
All rights reserved
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dspace.entity.type
Publication
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oairecerif.author.affiliation
University of Music and Performing Arts Vienna