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Reconstruction of piano hammer force from string velocity


Simple item page
  • cris.virtual.department
    University of Music and Performing Arts Vienna
  • cris.virtual.journalance
  • cris.virtual.orcid
    0000-0001-8248-4405
  • cris.virtualsource.journalance
    cf3418d6-6cd3-4132-83cf-bd7077a048c3
  • dc.contributor.author
    Chaigne, Antoine
  • dc.date.accessioned
    2024-05-28T16:34:41Z
  • dc.date.available
    2024-05-28T16:34:41Z
  • dc.date.issued
    2016
  • dc.description.abstract
    A method is presented for reconstructing piano hammer forces through appropriate filtering of the measured string velocity. The filter design is based on the analysis of the pulses generated by the hammer blow and propagating along the string. In the five lowest octaves, the hammer force is reconstructed by considering two waves only: the incoming wave from the hammer and its first reflection at the front end. For the higher notes, four- or eight-wave schemes must be considered. The theory is validated on simulated string velocities by comparing imposed and reconstructed forces. The simulations are based on a nonlinear damped stiff string model previously developed by Chabassier, Chaigne, and Joly [J. Acoust. Soc. Am. 134(1), 648–665 (2013)]. The influence of absorption, dispersion, and amplitude of the string waves on the quality of the reconstruction is discussed. Finally, the method is applied to real piano strings. The measured string velocity is compared to the simulated velocity excited by the reconstructed force, showing a high degree of accuracy. A number of simulations are compared to simulated strings excited by a force derived from measurements of mass and acceleration of the hammer head. One application to an historic piano is also presented.
  • dc.description.provenance
    Submitted by repo admin (repo-admin@mdw.ac.at) on 2024-05-28T16:34:41Z workflow start=Step: checkcorrectionstep - action:noUserSelectionAction No. of bitstreams: 0
    Made available in DSpace on 2024-05-28T16:34:41Z (GMT). No. of bitstreams: 0 Previous issue date: 2016
  • dc.identifier.doi
    10.1121/1.4965965
  • dc.identifier.uri
    https://dspace.mdw.ac.at/handle/123456789/5461
  • dc.language.iso
    en
  • dc.relation.journal
    Journal of the Acoustical Society of America
  • dc.relation.project
    Vorhersagemodelle in der Klavierakustik
  • dc.rights.license
    CC-BY-4.0
  • dc.subject
    Musical instruments
    Acceleration measurement
    Vibrometer
    Wave propagation
    Signal processing
    Transducers
    Magnetic materials
    Spectroscopy
    Integral transforms
    Partial differential equations
  • dc.title
    Reconstruction of piano hammer force from string velocity
  • dc.type
    text::journal::journal article
  • dcat.theme
    EDUC
  • dspace.entity.type
    Publication
  • mdwlis.institutionalBibliography.citation
    Chaigne, Antoine: Reconstruction of piano hammer force from string velocity. In: Journal of the Acoustical Society of America 140 (2016). H. 5, S. 3504-3517.
  • mdwlis.institutionalBibliography.publicationType
    erstveröffentlichte Beiträge in SCI, SSCI und A&HCI-Fachzeitschriften
  • mdwlis.institutionalBibliography.subject
    Physik, Astronomie
  • mdwlis.institutionalBibliography.subject3
    103
  • mdwlis.institutionalBibliography.subject4
    1030
  • mdwlis.institutionalBibliography.subject5
    10002
  • mdwlis.institutionalBibliography.year
    2016
  • mdwlis.mdwonline.identifier
    55295
  • mdwlis.publication.firstRelease
    Ja
  • mdwlis.publication.focus
    wissenschaftlich
  • mdwlis.publication.internationalCoPublication
    es handelt sich um keine internationale Co-Publikation
  • mdwlis.publication.mdwAttribution
    Ja, mdw wird im Kontext der Publikation genannt
  • mdwlis.publication.status
    veröffentlicht
  • mdwrepo.ancestors
    LIS > Publikationen > Bibliographischer Nachweis
    LIS > Publikationen > Publications
  • mdwrepo.hasTopCommunity
    LIS
  • oaire.citation.endPage
    3517
  • oaire.citation.issue
    140
  • oaire.citation.startPage
    3504
  • oairecerif.author.affiliation
    University of Music and Performing Arts Vienna