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Now showing 171 item(s)

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    text::conference output::conference proceedings

    Proceedings of the 23rd International Conference on Digital Audio Effects

    (2020) Evangelista, Gianpaolo

    Session 1: Spatial Audio and Artificial Reverberation I: PATRIK LECHNER: Room Impulse Response Estimation Using Signed Distance Functions | OTTO PUOMIO, TAPANI PIHLAJAKUJA and TAPIO LOKKI: An Acoustic Paintbrush Method for Simulated Spatial Room Impulse Responses | KAROLINA PRAWDA, SILVIN WILLEMSEN, STEFANIA SERAFIN and VESA VÄLIMÄKI: Flexible Real-Time Reverberation Synthesis with Accurate Parameter Control | ANDY SARROFF and ROTH MICHAELS: Blind Arbitrary Reverb Matching | ACHILLE AKNIN, THÉOPHILE DUPRÉ and ROLAND BADEAU: Evaluation of a Stochastic Reverberation Model Based on the Source Image Principle | MAARTEN VAN WALSTIJN: Numerical Calculation of Modal Spring Reverb Parameters | SADJAD SIDDIQ: Optimization of Convolution Reverberation | Session 2: Virtual Analog: LASSE KÖPER and MARTIN HOLTERS: Taming the Red Llama—Modeling a CMOS-Based Overdrive Circuit | DAVIDE ALBERTINI, ALBERTO BERNARDINI and AUGUSTO SARTI: Antiderivative Antialiasing in Nonlinear Wave Digital Filters | KURT JAMES WERNER and RUSSELL MCCLELLAN: Moog Ladder Filter Generalizations Based on State Variable Filters | RÉMY MÜLLER and THOMAS HÉLIE: Fully-Implicit Algebro-Differential Parametrization of Circuits | Session 3: Audio Processing and Effects: ELOI MOLINER, JUSSI RÄMÖ and VESA VÄLIMÄKI: Virtual Bass System With Fuzzy Separation of Tones and Transients | JATIN CHOWDHURY: Stable Structures for Nonlinear Biquad Filters | PURBADITYA BHATTACHARYA, PATRICK NOWAK and UDO ZÖLZER: Optimization of cascaded parametric peak and shelving filters with backpropagation algorithm | ALEXANDER RAMIREZ, VIKAS TOKALA, ANTONIN NOVAK, FREDERIC ABLITZER and MANUEL MELON: Bistable Digital Audio Effect | ONDŘEJ MOKRÝ, PAVEL RAJMIC and PAVEL ZÁVIŠKA: Flexible Framework for Audio Restoration | TRAVIS SKARE: GPGPU Patterns for Serial and Parallel Audio Effects | Session 4: Synthesis: KASPER NIELSEN: Practical Linear and Exponential Frequency Modulation for Digital Music Synthesis | JATIN CHOWDHURY, ELLIOT K. CANFIELD-DAFILOU and MARK RAU: Water Bottle Synthesis with Modal Signal Processing | GERARD ROMA, OWEN GREEN and PIERRE ALEXANDRE TREMBLAY: Audio Morphing Using Matrix Decomposition and Optimal Transport | TIM KIRBY and MARK SANDLER: Advanced Fourier Decomposition for Realistic Drum Synthesis | PHILIPP SCHMALFUß, MAX NEUPERT and BJÖRN KESSLER: Efficient Snare-Drum Model for Acoustic Interfaces with Piezoelectric Sensors | JAKE DRYSDALE, MACIEK TOMCZAK and JASON HOCKMAN: Adversarial Synthesis of Drum Sounds | DOMINIK CHAPMAN: Complementary N-gon Waves and Shuffled Samples Noise | ZDENĚK PRŮŠA, NICKI HOLIGHAUS and PETER BALAZS: Accelerating Matching Pursuit for Multiple Time-Frequency Dictionaries | Session 5: Physical Modeling: MAXIMILIAN SCHÄFER, RUDOLF RABENSTEIN and SEBASTIAN J. SCHLECHT: A String in a Room: Mixed-Dimensional Transfer Function Models for Sound Synthesis | ABHIRAM BHANUPRAKASH, MAARTEN VAN WALSTIJN and PAUL STAPLETON: A Finite Difference Model for Articulated Slide-String Simulation | JUDY NAJNUDEL, THOMAS HÉLIE, RÉMY MÜLLER and DAVID ROZE: A Power-Balanced Dynamic Model of Ferromagnetic Coils | Session 6: Spatial Audio and Artificial Reverberation II: SEBASTIAN J. SCHLECHT: FDNTB: The Feedback Delay Network Toolbox | JON FAGERSTRÖM, BENOIT ALARY, SEBASTIAN J. SCHLECHT and VESA VÄLIMÄKI: Velvet-Noise Feedback Delay Network | NILS MEYER-KAHLEN, SEBASTIAN J. SCHLECHT and TAPIO LOKKI: Fade-In Control for Feedback Delay Networks | ORCHISAMA DAS, JONATHAN ABEL and ELLIOT K. CANFIELD-DAFILOU: Delay Network Architectures for Room and Coupled Space Modeling | KURT JAMES WERNER: Energy-Preserving Time-Varying Schroeder Allpass Filters | TIM LÜBECK, HANNES HELMHOLZ, JOHANNES MATHIAS AREND, CHRISTOPH PÖRSCHMANN and JENS AHRENS: Perceptual Evaluation of Mitigation Approaches of Impairments Due to Spatial Undersampling in Binaural Rendering of Spherical Microphone Array Data: Dry Acoustic Environments | ERIC MÉAUX and SYLVAIN MARCHAND: Interaural Cues Cartography: Localization Cues Repartition for Three Spatialization Methods | Session 7: Machine Learning and Analysis: SHAHAN NERCESSIAN: Neural Parametric Equalizer Matching Using Differentiable Biquads | BLAI MELÉNDEZ-CATALÁN, EMILIO MOLINA and EMILIA GÓMEZ: Relative Music Loudness Estimation Using Temporal Convolutional Networks and a CNN Feature Extraction Front-End | ALEC WRIGHT and VESA VÄLIMÄKI: Neural Modelling of Time-Varying Effects | YUTA KUSAKA, KATSUTOSHI ITOYAMA, KENJI NISHIDA and KAZUHIRO NAKADAI: Onset-Informed Source Separation Using Non-Negative Matrix Factorization with Binary Masks | BORIS KUZNETSOV, JULIAN PARKER and FABIAN ESQUEDA: Differentiable IIR Filters for Machine Learning Applications | ANTÓNIO RAMIRES, GILBERTO BERNARDES, MATTHEW E. P. DAVIES and XAVIER SERRA: TIV.lib: An Open-Source Library for the Tonal Description of Musical Audio | HENRIK JÜRGENS, REEMT HINRICHS and JÖRN OSTERMANN: Recognizing Guitar Effects and Their Parameter Settings | PHILIPPE ESLING, NINON DEVIS, ADRIEN BITTON, ANTOINE CAILLON, AXEL CHEMLA-ROMEU-SANTOS and CONSTANCE DOUWES: Diet Deep Generative Audio Models with Structured Lottery

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    text::conference output::conference poster not in proceedings

    Musiktherapie in Österreich. Ergebnisse einer Querschnittserhebung

    (2020) Phan Quoc, Eva, Riedl, Hannah, Smetana, Monika, Stegemann, Thomas

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    text

    The room in-between': Interaction in Rhythmics and aspects of the approach in the artistic-educational work with pupils having severe intellectual disabilities.

    (2020) Falschlunger, Christoph

    Interaction is an important part of life. In Rhythmics, music education and music therapy contexts, where interaction is created by music, movement and various materials, this process opens up space in-between, where nonverbal communication and creative expression can take place. This article stresses that communication is more than just interacting through voice (verbal interaction). It emphasizes its possibilities and its value for artistic-educational work and shows how interactions can be initiated and continued through music, movement and materials by creating space for expression and communication on a variety of levels, which allows each participant to give and receive and dwell in possibility.

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    text::journal::journal article

    The influence of the vocal tract on the attack transients in clarinet playing

    (2020) Pamies Vila, Montserrat, Hofmann, Alex, Chatziioannou, Vasileios

    When playing single-reed woodwind instruments, players can modulate the spectral content of the airflow in their vocal tract, upstream of the vibrating reed. In an empirical study with professional clarinettists (Np=11), blowing pressure and mouthpiece pressure were measured during the performance of Clarinet Concerto excerpts. By comparing mouth pressure and mouthpiece pressure signals in the time domain, a method to detect instances of vocal tract adjustments was established. Results showed that players tuned their vocal tract in both clarion and altissimo registers. Furthermore, the analysis revealed that vocal tract adjustments support shorter attack transients and help to avoid lower bore resonances.

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    text::journal::journal article

    Open-Access-Publikationsfonds an österreichischen Universitäten 2017–2020 – Eine Bilanz aus Teilprojekt 3 von “Austrian Transition to Open Access”

    (2020) Andrae, Magdalena, Blechl, Guido, Bodnar, Vitali, Capellaro, Christof, Ferus, Andreas, Herrenbrück, Robert, Kaier, Christian, Kranewitter, Michael, Leitner, Edith, Liska, Martina, Mayrgündter, Eva, Ohrtmann, Linda, Pichler, Franz, Steinrisser-Allex, Gregor

    Der Beitrag bilanziert Aktivitäten und Arbeitsergebnisse des Teilprojekts 3 des Hochschulraum-Strukturmittel-Projektes „Austrian Transition to Open Access“ (AT2OA). Ziel des Teilprojekts war es, den Aufbau und Betrieb von Open-Access-Publikationsfonds an österreichischen Universitäten in finanzieller, konzeptioneller und organisatorischer Hinsicht zu unterstützen. Vor diesem Hintergrund wird die Entwicklung von Publikationsfonds in Österreich zwischen 2017 und 2020 zusammengefasst dargestellt und der aktuelle Stand bei den Projektpartnern umrissen. Die Aktivitäten der Arbeitsgruppe werden geschildert und inhaltliche Ergebnisse des Teilprojekts (Arbeitspapiere und Empfehlungen) vorgestellt. Kurzberichte aus 13 Universitäten veranschaulichen die Entwicklung von Publikationsfonds bei den Partnerinstitutionen von AT2OA.

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    text::journal::journal article

    Einblicke in die Arbeit der Senats-AG Barrierefrei der mdw

    (2020) Hennenberg, Beate

    Die Senats-Arbeitsgruppe Barrierefrei an der Universität für Musik und darstellende Kunst Wien [mdw] unterstützt Universitätsangehörige in Fragen der Barrierefreiheit und Inklusion. Gestützt auf gesellschaftspolitische Leitlinien im Bereich Diversität und Inklusion setzt sich die AG für eine inklusive und barrierefreie Universität ein. Im Laufe des nun vierjährigen Bestehens realisierte sie die Möglichkeit adaptierter Prüfungsbedingungen für Studierende sowie eine barrierefreie Website nach WCAG 2.0-Richtlinien. Im Austausch mit anderen Universitäten soll eine stetige Weiterentwicklung in Richtung einer inklusiven Hochschule vorangetrieben werden.

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    text::book

    Ethnomusicology Matters. Influencing Social and Political Realities

    (2019) Hemetek, Ursula, Saglam, Hande, Kölbl, Marko (Ed.)

    This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social and political realities. An important field connected to political relevance is heritage, either in connection with the UNESCO or with archives. Ontologies of indigenous groups and their relevance in knowledge production is discussed in ethnomusicology nowadays as well as the possibilities of decolonising the discipline. Two articles from ethno-choreology explore dance from the gender perspective and in the post-socialist political structures. Different approaches from applied ethnomusicology deal with social justice, participatory dialogical practice, and the socio-political relevance of performance. Forced migration is seen as comprehensive topic for future ethnomusicology. The contents of the book mirror influential discourses of ethnomusicology today that will definitely shape the future development of the discipline.

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    text::book::book part

    Die Darstellung des 21. Jahrhunderts in J. Peter Burkholders A History of Western Music

    (2019) Giannini, Juri

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    text::book

    Anklaenge 2018

    (2019) Giannini, Juri, Heimerdinger, Julia, Holzer, Andreas (Ed.)

    In diesem Band wird die Verankerung der Musikgeschichte des 20. und 21. Jahrhunderts in der Hochschuldidaktik umfassend dargestellt. Neben einer Analyse von Vorlesungsverzeichnissen deutschsprachiger Musikhochschulen und Universitäten präsentieren 21 internationale Beiträge die Situation in verschiedenen Ländern weltweit. Der Rezensionsteil fokussiert die Darstellung der Musikgeschichte der letzten 120 Jahre in gängigen allgemeinen Musikgeschichtsbüchern, die seit dem Jahr 2000 erschienen sind und als potentielle Literaturempfehlungen für Studierende in Frage kommen: Welche Geschichtsbilder werden vermittelt, welche Selektionen getroffen, welche Schwerpunkte sind gesetzt und was wird ausgespart? Mit Beiträgen von José L. Besada & Belén Pérez Castillo | David Blake | Megan Burslem & Cat Hope | María Paula Cannova | Carmen Chelaru, Florinela Popa & Elena Maria Șorban | Pablo Cuevas | Anna Dalos | Hong Ding | Michael Fjeldsøe | Juri Giannini | Thomas Glaser | Þorbjörg Daphne Hall | Julia Heimerdinger | Frank Hentschel | Andreas Holzer | Priscille Lachat-Sarette | Heekyung Lee | Iwona Lindstedt | Wolfgang Marx | Philippe Poisson | Ingrid Pustijanac | Matej Santi | Mike Searby | Assaf Shelleg | Danae Stefanou | Mareli Stolp | Oğuz Usman & Ozan Baysal | Elizaveta E. Willert

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    text::book::book part

    The Twentieth- and Twenty-First Century Music History Education in Universities and Conservatories around the World

    (2019) Heimerdinger, Julia, Holzer, Andreas